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(But maybe there are documentaries out there that do?) I still think George Russell is critical to any discussion of "modal" music, and that - I haven't seen yet. This latest documentary seemed to push the theory that Ascenseur Pour l'Echafaud pre-figured Kind of Blue. I think Jarrett liked when he recognized (before anyone else in the band) Miles playing "I Fall In Love Too Easily." Michael Henderson would drop out because there wasn't a groove to lay down, and Keith was left to play some fragments under Miles' horn. Jarrett (wanting to know why despite already having his own opinion): Why? Miles (to Jarrett): You know why I play ballads? The Jarrett quote that stuck with me from that documentary was something along the lines of: In that documentary, Jarrett is more than happy to point out that playing electric keyboards is something "he didn't do and doesn't do." Um, and then he did it. Whether or not he owns this - well, to me it doesn't seem like it. But, agreed! - Jarrett did play the shit out of the electric music he contributed to Miles' band. Like this article? Get more when you subscribe.I think Jarrett's point was that Miles was the type of forward-looking musician who, on principle, would steadfastly refuse to recycle his own material, though he did just that in 1986 upon Quincy Jones' prodding. In addition, this broadcast premiere will come just a few days after the February 21 release of the soundtrack album Music From and Inspired by "Miles Davis: Birth of the Cool," a Film by Stanley Nelson via Columbia/Legacy. Since then, it has had a successful theatrical run and been nominated for a GRAMMY in the "Best Music Film" category.
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Miles Davis: Birth of the Cool premiered in January 2019 at the Sundance Film Festival. He could be extremely generous, yet rescind that generosity on a whim." He could be romantic and pursue women relentlessly, yet treat them with cruelty upon winning them over. An elegant man who could render ballads with such tenderness yet hold rage in his heart from the racism he faced throughout his life. "You rarely see a portrait of a man that worked hard at honing his craft, a man who deeply studied all forms of music, from Baroque to classical Indian. "The story of Miles Davis - who he was as a man and artist - has often been told as the tale of a drug-addled genius," said Nelson via a statement. The clip from the film via the player below looks at how Davis recorded tune after tune in order to fulfill his contractual obligations to Prestige Records and, in the process, recorded gems of jazz spontaneity. on PBS (check local listings) as well as the PBS Video app in honor of Black History Month.
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The film was directed by acclaimed documentarian Stanley Nelson and will be premiering on February 25 at 9 p.m.
#Miles davis american masters series
Like this article? Get more when you subscribe.Įmmy-winning documentary series American Masters will be presenting the broadcast premiere of Miles Davis: Birth of the Cool, a documentary on the life of jazz legend Miles Davis. In addition, this broadcast premiere will come just a few days after the February 21 release of the soundtrack album Music From and Inspired by “Miles Davis: Birth of the Cool,” a Film by Stanley Nelson via Columbia/Legacy. Since then, it has had a successful theatrical run and been nominated for a GRAMMY in the “Best Music Film” category. He could be extremely generous, yet rescind that generosity on a whim.” “You rarely see a portrait of a man that worked hard at honing his craft, a man who deeply studied all forms of music, from Baroque to classical Indian. “The story of Miles Davis - who he was as a man and artist - has often been told as the tale of a drug-addled genius,” said Nelson via a statement.